In 2005, Mr. Kobrin was awarded the Nancy Lee and Perry R. Bass Gold Medal at the Twelfth Van Cliburn International Piano Competition in Fort Worth.. His
numerous successes in competitions also include top prizes at the Busoni International Piano Competition (First Prize), Hamamatsu International Piano Competition (Top Prize), Scottish
International Piano Competition in Glasgow (First Prize)
He has performed with many of the world’s great orchestras, including the New York Philharmonic, the Tokyo Philharmonic, the Russian National Orchestra,
the Belgrade Philharmonic, the English Chamber Orchestra, Orchestra Verdi, Orchestre de la Suisse Romande, Moscow Philharmonic, Royal Liverpool Philharmonic, the Dallas Symphony, Berliner Symphony,
Chicago Sinfonietta, Swedish Radio Symphony, Birmingham Symphony, Warsaw Philharmonic, and the BBC Symphony Orchestra. He has collaborated with such conductors as Mikhail Pletnev, Mikhail
Jurovsky, Mark Elder, Vassiliy Sinaisky, James Conlon, Claus Peter Flor, Alexander Lazarev, Vassiliy Petrenko and Bramwell Tovey.
He has appeared in recital at major halls worldwide, including Carnegie Zankel Hall and Avery Fisher Hall in New York, the Kennedy Centre in Washington, Albert Hall and Wigmore Hall
in London, Louvre Auditorium, Salle Gaveau and Salle Cortot in Paris, Munich Herkulesaal and Berliner Filarmonia Hall in Germany, the Great Hall of the Moscow Conservatoire, Sheung Wan
Civic Centre in Hong Kong, as well as Sala Verdi in Milan and many others. Other past performances have included recitals at Bass Hall for the Cliburn Series, the Washington Performing
Arts Society, La Roque d'Antheron, the Ravinia Festival, the Beethoven Easter Festival, Busoni Festival, the renowned Klavier-Festival Ruhr, the Festival Musique dans le Grésivaudan,
the International Keyboard Institute & Festival, annual concert tours in Japan, China, and Taiwan.
Though widely acclaimed as a performer, Mr. Kobrin’s teaching has been an inspiration to many students through his passion for music. From 2003 to 2010 he served on the faculty of the
Russian State Gnessin’s Academy of Music. In 2010 Alexander Kobrin was named the L. Rexford Distinguished Chair in Piano at the Schwob School of Music at Columbus State University, and
from 2013 until 2017 has been a member of the celebrated Artist Faculty of New York University’s Steinhardt School. In July 2017, Mr. Kobrin has joined the faculty of the renowned Eastman
School of Music in Rochester. He has also given masterclasses in Europe and Asia, the International Piano Series, and at the Conservatories of Japan and China. In 2020, he became
co-director of Hiiumaa Homecoming Festival in Estonia.
Mr. Kobrin has been a jury member for many international piano competitions, including the Van Cliburn in Fort Worth, the Busoni International Piano Competition in Bolzano, Hamamatsu
International Piano Competition, the Blüthner International Piano Competition in Vienna, E-Competition in Fairbanks, Alaska, and the Neuhaus International Piano Festival in Moscow.
Mr. Kobrin has released recordings on the Harmonia Mundi, Quartz, and Centaur labels, covering a wide swath of the piano literature to critical acclaim. His Schumann album, released on
Centaur Records has been included into the top-5 albums of the year in 2015 by Fanfare Magazine. Gramophone Magazine raved about his Cliburn Competition release on Harmonia Mundi,
writing
that “in [Rachmaninoff’s] Second Sonata (played in the 1931 revision), despite fire-storms of virtuosity, there is always room for everything to tell and Kobrin achieves a hypnotic sense of
the music’s dark necromancy.”
Alexander Kobrin was born in 1980 in Moscow. At the age of five, he was enrolled in the world-famous Gnessin Special School of Music after which he attended the prestigious Moscow Tchaikovsky
Conservatoire. His teachers have included renowned professors Tatiana Zelikman and Lev Naumov.
He immigrated to the United States in 2010 and became a US citizen in 2015.
Lia Jensen-Abbott
is Professor of Music and Director of the Prentiss M. Brown
Honors Program at Albion College. Awarded the Arthur Andersen New Faculty of the
Year award in 2016 from Albion College, Lia is well known for her interdisciplinary
lecture recitals based on semiotic analysis, Fanny Hensel, Florence Price, Beethoven and
Anton Diabelli, and the connections between athletics and music. Her solo and
collaborative performances with Dr. Karen Kness have taken her around the United
States, Europe, and Central America. In 2012 she performed at Carnegie Hall’s Weill
Recital Hall in New York City.
As a clinician and adjudicator, Lia has been invited to judge the MTNA National Finals
in San Antonio and Chicago, as well as a judge for the WPTA International Piano
Competition, in addition to many regional, state, and local competitions. Her
scholarly lecture recitals have been presented at MTNA National Conferences, a
CMS International Conference, the International Affiliation of Women in Music 2022
Conference, and three WPTA Conferences. Recently, Lia has recorded a three-volume
CD set entitled The Albion College Diabelli Squared Project, which presents
Beethoven’s Op. 120, the original Fifty Variations written for Anton Diabelli’s
philanthropic project, and thirteen newly commissioned variations on the same Waltz
theme. Lia has recorded video teaching modules and live webinars for the Frances
Clark Center. For the October/November 2022 issue of the American Music
Teacher, Lia was invited to write a pedagogical submission about teaching
advanced pedaling.
An active member of the Music Teachers National Association, Lia is a Past President of
the Michigan MTA. She is a member of the European Piano Teachers Association and
the World Piano Teachers Association, and President of the WPTA Michigan Chapter.
Lia earned degrees from The University of Nebraska-Lincoln (BM, DMA), Indiana
University (Performer Diploma), and The Pennsylvania State University (MM, MA).
Her teachers have included Timothy Shafer, Edmund Battersby, Jeremy Denk, and Mark
Clinton.
She is a co-founder of the Albion College International Piano Festival and Competition
and lives in Albion, Michigan with her husband, pianist Dr. David Abbott, their son
Charlie, and two dogs. In her spare time, Lia competes in triathlons, plays golf, and
reads.
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Richard Becker
is head
of piano studies at the University of Richmond. He is active as a recitalist, composer, chamber musician, and poet,
and his playing has been acclaimed in Europe and America. Performing on many college campuses over the years, and frequently touring the eastern United States, he has also performed at venues such as Alice Tully Hall, the National Gallery of Art, the French Embassy, the Library of Congress, and at the Hudson River, Kemper, Virginia, and Spencer Museums. He has performed at the Salle Cortot and Salle Michelet in Paris where he has six times been artist-in-residence at Cité Internationale des Arts.
Richard Becker’s music has been commissioned by Meet the Composer Grants, by grants from CRS Records, by the Peabody Trio in conjunction with the Peabody Institute of Johns Hopkins University, and he has been a MacDowell Colony Fellow and nominee for an American Academy of Arts and Letters award. His performances and his music have been heard on NPR, Voice of America, WNYC, WETA, WGMS, and WCVE, and at the American Music Festival of the National Gallery of Art. They have also been featured at CMS and MTNA conferences and during residencies at Marshall, James Madison, Eastern Mennonite Universities,the Longy School of Music and the Peabody and New England Conservatories and at the Eastman School of Music. He coached chamber music alongside the late Blanche Moyse and he performed and coached chamber music with members of the Shanghai Quartet during their the decade of an artist-residency at University of Richmond.
Richard Becker’s playing has been cited for its “powerful interpretations” by the Washington Post, for being “admirable in taste and technique” by the New York Times, and for being “brilliant and with seamless passagework and elegant phrasing” by the Richmond Times-Dispatch. His playing is grounded in the tradition of Arthur Schnabel acquired during his study with the late Leonard Shure while at Boston University (M. Mus.). His teaching owes much to the relaxation methods of Tobias Matthay, learned from Cécile Staub Genhart during his years at the Eastman School of Music (B.Mus. and Performers Certificate). He taught at the University of Texas and Boston University prior to joining the music faculty of the University of Richmond in 1975.
In recent years, Richard Becker’s poetry has been published by America, Columbia Magazine, Visions-International, Cold Mountain and Poetica Magazine: Contemporary Jewish Writing and Art and his poetic sequence, “FATES,” was a 2008 chapbook of The Literary Review. Hiscompositions have been recorded by CRS and his performances are available on Albany Records.
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Bradford Gowen
earned his bachelor’s and master’s degrees from the Eastman School of Music
where he studied piano with Cécile Genhart and composition with Samuel Adler. He later studied
piano with Leon Fleisher and with Dorothy Taubman. In 1978 he won the first Kennedy
Center/Rockefeller Foundation International Competition for Excellence in the Performance of
American Music. The following year he made his New York recital debut at Alice Tully Hall, and
has since performed widely, including a performance of the Copland Piano Concerto with the
National Symphony Orchestra conducted by the composer. Other concerto appearances with that
orchestra were conducted by Mstislav Rostropovich and Maxim Shostakovich. He has also given the world premiere of
Samuel Adler’s First Piano Concerto at the Kennedy Center and the world premiere of the Piano
Sonata of Judith Lang Zaimont.
Mr. Gowen's numerous chamber music performances have included appearances at the Library of
Congress Summer Chamber Festival, with the Kronos and Guarneri Quartets, and with cellist David
Soyer. He has also made many duo appearances with his wife, pianist Maribeth Gowen. He has served as
a judge for international, national, and regional piano competitions, and served on the Advisory
Committee that created and ran the Seventeen Magazine/General Motors National Concerto
Competition in the 1980s and 1990s.
For several decades Mr. Gowen has written about piano music for such journals as The Piano
Quarterly, Piano & Keyboard, and the London-based International Piano. In the Fall of 2022 the
University of Rochester Press published his book A Performer’s Guide to the Piano Music of Samuel Adler.
He has been on the faculty of the School of Music at the University of Maryland since 1981. He is
one of the 48 pianists featured in Benjamin Saver's 1993 book The Most Wanted Piano Teachers in the
USA.
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Christopher Guzman
enjoys an international performing career, showcasing a broad range of styles from the Baroque era to the avant-garde. Since winning top prizes in international competitions such as the Walter M. Naumburg Competition (USA), the Seoul International Music Competition (S. Korea) and the Isang Yun Competition (S. Korea), Mr. Guzman has performed across Europe, North and South America, and Asia. As a result of winning the top prize at the Concours International de Piano d’Orléans in Orléans, France, he has toured France extensively, giving performances and teaching masterclasses.
He has appeared in concert in major international venues as Tokyo’s Suntory Hall, Leipzig’s Gewandhaus, Buenos Aires’s Kirchner Cultural Center, Carnegie’s Weill Hall, London’s Wigmore Hall and others. As a chamber musician, he has collaborated with the classical music world’s most exciting soloists, including Ilya Gringolts, Antoine Tamestit, David Fray, and Jeremy Denk, among others. He continually performs with members of the world’s finest orchestras, including the Berliner Philharmoniker, the Philadelphia Orchestra, the San Francisco Symphony, the New York Philharmonic, and the Seoul Philharmonic Orchestra. He appears regularly on the New York Philharmonic’s chamber music series “Philharmonic Ensembles,” and recently performed with musicians of the Chicago Symphony at their home in Orchestra Hall.
While Mr. Guzman has won multiple international prizes for his performances of traditional repertoire, much of his career has been centered on music written after 1900; his performances have included world premieres by Donald Martino, Nico Muhly, and Paul Schoenfield. The New York Times hailed his performance of Christopher Theofanidis’s Statues as “coiled” and “explosive.” His CD of German and Austrian music from the past one hundred years, Vienne et après, is available on the Tessitures label; his CD of music of Paul Reale on the Naxos Label, “Chopin’s Ghosts,” was included in Fanfare magazine’s Top Five releases of 2018. He has subsequently recorded two additional albums of Reale’s music, including chamber music and concerti, to much critical acclaim. Mr. Guzman will release a premiere video recording of piano works of Mexican composer Carlos Chávez in 2023.
Born in Texas, Christopher Guzman began studying piano at age nine and violoncello two years later. He worked primarily with Jerome Lowenthal and Robert McDonald at the Juilliard School, Anton Nel at the University of Texas at Austin, and the late Patricia Zander at the New England Conservatory. He is currently Professor of Piano at Penn State University, and will join the piano faculty of Northwestern University in the fall of 2023.
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Julian Hellaby
holds a PhD, as well as an MMus, a BMus and an LRAM diploma.
He has also been awarded the ARAM by the Royal Academy of Music.
He studied piano with the distinguished pianist
Denis Matthews—a devoted pupil of Matthay's student Harold Craxton—and later at London’s Royal Academy of Music. He has performed as solo
pianist, concerto soloist, accompanist and chamber musician in continental Europe, the
Middle East, South Africa and throughout the UK, including recitals in the Wigmore Hall and
Purcell Room. He has broadcast for overseas television and radio and also for the BBC.
Additionally, two-piano work with pianist Peter Noke has included performances across the
UK, as well as in Hong Kong and China. Peter and Julian recently celebrated their twentieth
anniversary as a duo with a concert in Steinway Hall, London.
Julian is a former ABRSM examiner, moderator, trainer and public presenter, and was also a
mentor for the ABRSM’s Certificate of Teaching course. He has taught academic music at
Coventry University and London College of Music, and also has extensive experience of
adjudicating and piano teaching, including in masterclass settings. He has released several
CDs for the ASC and MSV labels, and his book Reading Musical Interpretation was published
by Ashgate in 2009. His second book, The Mid-Twentieth-Century Concert Pianist: An English
Experience, was published by Routledge in 2018, and he recently edited a multi-author compilation
on the subject of topic theory and performance, also for Routledge.
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Alexander Kobrin
has been called the “Van Cliburn of today” by the BBC, and he has placed himself at the forefront of today's performing musicians.
His prize-winning performances have been praised for their brilliant technique, musicality, and emotional engagement with the audience. The New York Times has written that
he "surrendered neither the smoothness nor the dynamic fluidity that the modern piano allows, and he gave his sense of fantasy free rein,
creating an almost confessional spirit," and that
his performance was a “fastidious guide” to Schumann’s “otherworldly visions, pointing out hunters, flowers, haunted corners and friendly bowers, all captured in richly characterized vignettes.”
After Mr. Kobrin’s performance
of the Brahms Second with Syracuse Symphony, one critic wrote, “This was a performance that will be revered and remembered as a landmark of the regeneration
of exceptional classical music in Central New York.”
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Heather Lanners
received her Bachelors Degree
in Piano Performance from the University of Western Ontario
in London, Canada as a student of John Paul Bracey. She then continued her studies in Paris with French pianist
Cecile Ousset. While in Paris, she also earned the Diplome Supérieur en Musique de Chambre at the Ecole Normale de Musique. Since the
completion of a Masters Degree in Piano Performance and Literature with Barry Snyder at the Eastman School of Music, Ms. Lanners has worked
as the Opera Coach at both the Cleveland Institute of Music and the University of Akron. Some of her professional engagements have included
performing regularly as the pianist for the Cleveland Opera on Tour, and as a resident pianist for the prestigious Meadowmount School of Music String Camp.
Professor Lanners has performed extensively throughout the United States, Canada, and Europe in both solo piano
and chamber music. She has performed in public master classes for such artists as Jean Barr, Natalia Antonova,
Robert Silverman, Anner Bijlsma, and Tsuyoshi Tsutsumi. She has participated with full scholarship in the Holland Summer Music Sessions,
where she performed daily in public master classes and recitals located in and around Amsterdam.
Ms. Lanners is engaged frequently as an adjudicator throughout Oklahoma, Texas, and Kansas. She has also served as
the Chair for the OMTA and MTNA State Piano Competitions (2006-2014). She is active as a guest lecturer, having presented lecture-recitals at the Eastman School
of Music Summer Piano Festival and for the Oklahoma Music Teachers Association Conference. In its June/July, 2001 issue, American Music Teacher
published her article, "Welcoming the Collaborative Arts into our Teaching Studios." Ms. Lanners has also served on the faculty of the Oklahoma
Summer Arts Institute and as a featured artist at the Amadeus Piano Festival in Tulsa, Oklahoma. She teaches applied piano,
piano pedagogy, and class piano at Oklahoma State University.
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Jim Lees
has had a long but interrupted affiliation
with the Matthay Association. In 1971, while a student of Donald Hageman, he was the recipient of the first Clara Wells
award. He was awarded the prize again in 1974. For the next ten years or so, Jim was active in the Association's annual
festivals, and highlights for him included playing recitals in Toronto and San Jose. In 1976 he became the principal
pianist for the San Francisco Ballet which gave him opportunities to perform as a piano soloist at numerous venues including
Wolf Trap, Blossom Center, the Edinburgh Festival, and the White House. However, in the mid-80's he went through a period of
disillusionment with the music "business" and abruptly decided to move to Las Vegas to become a poker dealer. After a few years,
though, he hit an emotional and spiritual bottom. The silver lining, though, is that he became a believer in Jesus Christ. This
newfound faith became the impetus for him to return to the piano seriously about 30 years later, around 2014, in Chattanooga,
Tennessee. In that endeavor he has been helped greatly by the piano teachers Steven Wilber, Cahill Smith, and currently, Lynn
Worcester Jones. In 2018 he had the great privilege of presenting a recital at the Matthay festival in Jackson, TN. He has been
active since and is sincerely grateful to be back.
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Barton Moreau
made his solo debut in a New York City performance with the New England Youth Ensemble at the age of 15. He has since performed as a featured soloist with orchestras across the United States, including the Northwest Florida Symphony, New Orleans Symphony, Port City Symphony (Mobile, AL), Mesa Symphony (Arizona), Gulf Coast Symphony, and the Boise Baroque Orchestra.
Moreau’s honors include a top prize at the Debose National Piano Competition and a collegiate artist award from the Alabama Music Teachers Association. In 2007, he was a finalist at the World Piano Pedagogy Conference’s PIANOvision Most Wanted Piano Competition, an international online competition created by Benjamin Saver.
As a collaborative artist, Moreau has performed with a diverse array of distinguished international players, including clarinetists Robert Spring and Jorge Montilla, oboists Andrea Ridilla and Gonzalo Ruiz, violinist Rachel Barton Pine, and composer-violinist Daniel Bernard Roumain (DBR). He has appeared at national and international conferences, including those of the College Music Society, International Double Reed Society (IDRS), and the International Clarinet Association (ICA), most recently at ClarinetFest 2018. Other performances include appearances with the Boise Philharmonic Orchestra, and at the McCall Second Sunday Sounds Concert Series (Idaho). Moreau joined the Boise Baroque Orchestra as principal keyboardist in 2012 and regularly appears on their subscription series.
Moreau holds a Doctor of Musical Arts degree from Arizona State University, and a Master of Music degree in piano performance from Indiana University. His collegiate career began at the University of South Alabama, where he was a recipient of the Theodore Presser Award. Moreau’s major teachers were Robert Hamilton, Karen Shaw, and Jerry Bush. He has also coached with Lee Luvisi, Fabio Bidini, Mykola Suk, and Leonard Hokanson.
Moreau serves as a Lecturer of Music at Boise State, teaching courses in piano, music theory, and music history. In addition to his collegiate teaching and performance activities, he is also an active studio teacher and adjudicator and a Member of the American Matthay Association for Piano.
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Nancy Perrin
received her Bachelor of Music in Piano Performance from the Ohio State University where she studied with
Miriam Mooney, herself a student of Tobias Matthay. At Ohio State, Nancy also minored in Vocal Performance. At
Wright State University, Nancy earned a Master of Music with a concentration in piano. There, she studied with
Donald Hageman. with whom she continued to study for a few more years post-graduation. In addition to traditional
piano study, Nancy has also focused on jazz piano studies. She is a past lecturer-performer at the Matthay festivals.
She has won the WSU Concerto Competition and performed Gershwin's Concerto in F with the WSU Symphony Orchestra.
Nancy concertizes in the southern Ohio area including appearances at the Dayton Art Institute, Dayton Music Club
events, and Sinclair Community College. Partnering with Jim Lees, Nancy and Jim performed at the Art Institute,
playing Bartok's Sonata for Two Pianos and Percussion, performed outdoors and complete with a helicopter flying
overhead mid-performance! She is a silver medal winner from the American College of Musicians/National Guild of
Piano Teachers for her performance of Alberto Ginastera's Piano Sonata No. 1, Op. 22. She is on the music faculty
at Sinclair College in Dayton, where she teaches piano and music courses, and is a pianist for the vocal music and
theatre departments. In addition, Nancy is very active as a professional pianist at Wright State University in Dayton,
working in the music department and music theatre division. Other activities include serving as pianist and musical
director for many musical theatre productions in the Dayton area. Nancy lives near Dayton in Centerville, Ohio.
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John Perry
holds an international reputation as a distinguished pianist and as one of the world's great teachers.
A Minnesota native, he earned his bachelor’s and master’s degrees at the Eastman School of Music where he was a student of Cécile Genhart, while during the summers, he continued
his work with the eminent Frank Mannheimer. A recipient of a Fulbright Scholarship, he continued studies in Europe for four years where he
worked with Wladyslav Kedra, Polish concert artist and professor at the Akademie für Musik in Vienna, and Carlo Zecchi, renowned conductor, pianist, and head of the piano department at
the Santa Cecilia Academy of Music in Rome.
Mr. Perry has won numerous awards, including the highest prizes in both the Busoni and Viotti international piano competitions, and special honors at the Marguerite
Long International Competition in Paris. Since then, he has performed extensively throughout Europe and North America to great critical acclaim. Also a respected chamber musician, Mr. Perry
has collaborated with some of the finest instrumentalists in the world.
He also enjoys an international reputation as a teacher, presenting master classes throughout the world. He is often a jury member at some of the most prestigious international
piano competitions, and his students have been prize winners in most major competitions. They include two first-prize winners in the Rubinstein, four first-prize winners in the Music Teacher's National
Association national competition, and first-prize winners in the Naumburg National Chopin competition, the Cleveland Competition, the Beethoven Foundation competition, the Federated Music Clubs,
the YKA, AMSC, and YMF competitions, as well as finalists in the Chopin International in Warsaw, the Van Cliburn, the Queen Elisabeth, the Leeds, the Dublin, the Busoni, the Viotti and the Three Rivers competitions.
John Perry is professor at the Glenn Gould School of the Royal Conservatory of Music in Toronto, professor of piano at Mason Gross Schoo of the Arts, Rutgers University, and
Professor Emeritus of the University of Southern California Thornton School of Music. In addition, he recently founded a music school, the John Perry Academy of Music in Los Angeles, where he serves as Artistic Director.
During the summer he is artist professor at the Lake Como International Piano Academy, the Banff Center in Alberta, Canada, the Sarasota Music Festival in Florida, the Orford Music Festival in
Quebec, the Morningside Music Bridge Program in Calgary, Alberta, the Internationaler Klaviersommer Cochem, Germany, the International Music Festival in Perugia, Italy, the Amalfi Coast Music
Festival in Italy, Montecito International Music Festival in Santa Barbara, and the John Perry Academy Summer Piano Festival in California. In January he is main guest artist at the Sydney Piano
Festival in Australia.
His recordings are available on the Telefunken, Musical Heritage Society, CBC, ACA and Fox labels.
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Jennifer Shoup
is a frequent soloist and chamber musician who performs throughout the United States and abroad. She has been a featured
soloist with the National Orchestras of Chile, Costa Rica, and the University of Dayton Orchestra, and presented solo recitals
for the Piccolo Spoleto Festival, Sigma Alpha Iota National Convention, Ohio Music Teachers Association and numerous university
Artist Series. She has presented solo and lecture recitals for the American Matthay Association for Piano held at Arizona State
University, Pennsylvania State University, Texas Wesleyan University and the University of Kansas.
Jennifer received a Master of Music degree in Piano Performance and Certificate in Piano Pedagogy from Carnegie Mellon University
and began Doctoral studies in Piano Performance at Arizona State University. Her teachers include Donald Hageman, Eric Street,
Enrique Graf and Caio Pagano. Additional studies took place in Vienna, Austria and at Belgais Center for the Arts (Portugal).
She has worked with a diverse range of artists including Emanuel Ax, Maria Joao Pires, Earl Wild and Grammy award-winning composer
Lucy Simon.
Jennifer has
taught for the prestigious Carnegie Mellon Preparatory School and as adjunct faculty for the University of Dayton and Cedarville
University. She has served as past President of The Dayton Music Club, Chair of the Ohio Federation of Music Clubs, Vice-President
of Programming for the Ohio Music Teachers Association Western District, and as Archivist and Editor of The Matthay News.
She currently owns The Piano Preparatory School, serving more than four hundred families in Dayton, Ohio.
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